I’ve mentioned before that I still like the discipline of shooting on film. It forces you to slow down and think about what you’re shooting, and there’s no preview, so you can’t indulging in ‘chimping‘† – you have to trust yourself to have got the shot without checking.
I also still think that there’s a subtle difference in the look of film compared to digital (although that difference is diminishing as digital cameras improve).
Then there’s shooting on black and white film. Now, you have to ‘see’ in black and white – there’s no option to shoot in colour and try out various black and white looks in the comfort of Photoshop.
Here are some pictures taken around my home town, all shot in the knowledge that colour could not be a factor in the final image.
† I should point out that I don’t view ‘chimping’ as a bad thing—it’s an advantage that digital gives us. However, it’s also not a bad thing to deny ourselves these advantages from time to time. It’s like having a calculator, but still being able to add up in your head.
Like (I would imagine) the majority of photographers these days, I mostly work with digital cameras — a couple of Nikon DSLRs and a Panasonic compact. They are highly technically advanced, offering accurate auto focussing and exposure, and there is the attendant convenience of working with a digital RAW file: so many things — white balance, exposure, tonality — can be adjusted in software that one can lose sight of the technicalities when actually taking the picture. On balance, this a good thing, especially when the pressure’s on: at a wedding, a sports event or when time is short. Continue reading “I love my ‘Blad”
Messing about at college, using a Toyo 5×4 camera and photographic paper as a negative. Scanned in and toned in Photoshop.
Taken in Paris as part of a college “street photography” assignment.
HP5+, Olympus Trip on “manual”: f/11 @ 1/40s
Following from finding an old picture of my dad, here’s one of my mum. Taken using either a Ricoh KR10 or a Pentax Super-A. Or it may even have a been a Zenit TTL.
An old photograph, taken with a Yashica 635 twin-lens reflex. Scanned from the original negative and firtled with in Lightroom a bit.
This is from 1990, somewhere in Wales.